| Titre : |
Let's not get used to this place : Meg Stuart/Damaged Goods |
| Type de document : |
texte imprimé |
| Auteurs : |
Julie De Meester, Auteur ; Astrid Kaminski, Auteur ; Jeroen Versteele, Auteur |
| Editeur : |
Dijon : Les presses du réel |
| Année de publication : |
2024 |
| Importance : |
528p. |
| ISBN/ISSN/EAN : |
978-2-9603207-1-8 |
| Langues : |
Anglais (eng) |
| Tags : |
Danse Chorégraphie Meg Stuart Pratique artistique |
| Résumé : |
Since the early nineties, Meg Stuart, and her dance company Damaged Goods, based in Brussels, have produced a remarkable and audacious body of choreographic work. In 2010, Damaged Goods published Are we here yet?, which spans the first twenty years of Meg Stuart's career. In the follow-up book Let's not get used to this place, the choreographer looks back on more than a decade of works through reflections, interviews, scores, and notes on the practice of creating, performing, teaching and living dance. These are mixed with reports, essays and poetry by collaborators and other observers, photos, performance texts and archive material. The book's title, gleaned from one of Stuart's recent video works, ties together these multifarious sources in a desire to discard tried and tested strategies, explore new contexts, and transgress the edge of what we (do not) know. |
Let's not get used to this place : Meg Stuart/Damaged Goods [texte imprimé] / Julie De Meester, Auteur ; Astrid Kaminski, Auteur ; Jeroen Versteele, Auteur . - Dijon : Les presses du réel, 2024 . - 528p. ISBN : 978-2-9603207-1-8 Langues : Anglais ( eng)
| Tags : |
Danse Chorégraphie Meg Stuart Pratique artistique |
| Résumé : |
Since the early nineties, Meg Stuart, and her dance company Damaged Goods, based in Brussels, have produced a remarkable and audacious body of choreographic work. In 2010, Damaged Goods published Are we here yet?, which spans the first twenty years of Meg Stuart's career. In the follow-up book Let's not get used to this place, the choreographer looks back on more than a decade of works through reflections, interviews, scores, and notes on the practice of creating, performing, teaching and living dance. These are mixed with reports, essays and poetry by collaborators and other observers, photos, performance texts and archive material. The book's title, gleaned from one of Stuart's recent video works, ties together these multifarious sources in a desire to discard tried and tested strategies, explore new contexts, and transgress the edge of what we (do not) know. |
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